I'm an editor in the Style section at
The Washington Post, and I've written about arts, entertainment, business, and technology for the
Los Angeles Times,
New York Times,
Slate,
Los Angeles Magazine, and other publications. I was previously deputy editor at
L.A. Weekly, overseeing arts and culture coverage. I've won awards for my stories about
slash fiction,
magicians, and
television in India, among others. I've appeared on CNN and
NPR and I wrote a book about
Avenue Q. I've taught journalism at Loyola Marymount University and creative nonfiction at the University of Virginia Young Writers Workshop.
I also have performed standup comedy at venues such as the Laugh Factory, Westside Theater, and ComedySportz.
To read my full bio, click here. To read more of my writing, click on the categories below. You can follow me on Twitter at @zpincusroth.
I'm married to Giselle Odum.
Agreed. One of the best for a while too.It really shdulon't work but it does as Mos carries the sometimes erratic production. Embassy is a prime example a song that is all over the place, but Mos' flow, and the thumping beat, work.Also it's Mos' album, there aren't a load of cameos from other artists but when there are, like Slick Rick in Auditorium, they're so on-point it's untrue.
Posted by: Lucio | Sunday, April 22, 2012 at 01:26 PM